Seven last words (3)

The Crucifixion by Fr. John W. Lynch, continued  (You can read the first part here and the second part here.)

Thereafter time on Him became a slow,
Eventless draining and His body sagged
And ebbed and whitened in the drip of long,
Increasing silences that breathed and soaked
And mingled on His limbs until the flow
Pulled down from Him all semblance to a Man,
To make Him but a Wound that hung from nails.

He does not move nor murmur to the dark,
And now is gone beyond His hand had strained
Against the stake, and helpless, tried to brush
The dried ad stiffened cavern of His mouth,
He whispered, and they heard His human need.

‘I thirst.

A sponge upon a reed was thrust to Him,
And He who gave good wine had tasted sharp,
Astringent vinegars that were the last
Of favours that the earth could give to Him.
He wakened: He was tall again and taut
Against the throning of His cross; His head
Was crowned, and on Him majesty returned.
He drank the air and as a Man who sees
Far kingdoms over continents beyond
The sun, He traces with His eyes the dim
Receding circles of the world.  He feels
The freedom of His hands, the swing, the lope
And striding of His feet; He feels His heart
Within Him beating to the endless stroke
Of Infinite, and swelling to subdue
The vast dimensions of forgotten time.
He stand, He towers, He is Adam come
Again to the ancient garden: He is man
And woman, He is Paul and Magdalen
The martyrs, housewives, sinners, and the saints.

And then His love is falling on the hills,
The roads, the little sea that had been dear.
He touches to the mountains where He spoke
His prayer, and He remembers Bread.  His hands
Enclose again the smiling of a child.
They test the tumult of the fish in the nets.
He hears the echoed word He said to John
And to Martha: Peter keeps command against
The years.  The cot and table that He knew
At Nazareth are not afar from Him.
And He remembers Joseph and the straw:

Then breath is great within Him.  He is tall
And upward from His cross His voice ascends
To break confining spaces of the stars
And thrust His triumph past the stars.

It is finished!’

His head is sinking: peace is on His brow.

‘Father, into Thy hands I commend my spirit.’

This sterile wood He carried to the hill
Has burgeoned with His meaning, and the Tree
Of good and evil, standing in all storm
And contradiction, waits the endless Spring.

The seven last words (2)

The Crucifixion by Fr. John W. Lynch continued . . .

The light is bronze against Him in a sheet
Of stilled, unblinking time that does not move,
Nor yield, nor cease until a shimmering
Like golden curtains comes, and looking down,
He finds that time has folded to a a long,
Bright, gleaming coronal, and she is there.
He does not look away, He watches her,
And the light that was a crown about her, breaks,
Increases, brightens, and becomes a path
Where she is mounting, mounting up to Him,
Not for comfort, not for any kiss
Of soothing, not to lessen Him nor ask
His hands refuse these nails for Infancy:
Not soften, not unloose the years!
He seeks her here and in her heart He finds
Too deep a silence for the need of tears,
For new Announcement bleeds in her, so old
It is Gethsemani, and Nazareth,
Fused and sealed within a single will
That still is crying: ‘This be done to me.’

Woman, behold thy Son.

The dark was like a thin, descending shroud
Of cold that closed around the world and left
Him shivering beneath an ashen sun.
The wind was chill upon Him, stirred His hair
In faint and lonely movement, and the dust
That lay along the barren rocks had raised
And sifted softly when the wind had gone.
He was alone: and in His hands the nails
Were cinders of a fire once and flamed
And reddened in His blood, but now had dulled
To crusting of a spread, accustomed pain,
Without a plan.  He ha wearied of His crown;
His head that had bowed upon His breast
Tossed upward in search of any friend,
To find around Him blackness and the deep,
Unstarred abysses where creation’s Word
Has hung no light or mercy to the blank
Rejections of a worse than primal dark,
The wind that knifed across His shivered soul
Came cutting from the frozen lids of Hell . . .

‘My God, my God, why hast Thou forsaken me?’

The seven last words (1)

This time of year I go searching.  Searching for poetry and art.  I think that’s because of the high holy mysteries we are entering into.  Nothing else can attempt to express the depth and richness of these holy matters.  So for the next few days I will give you pieces of a poem I found somewhere by Fr. John W. Lynch–I believe the same who wrote the magnificent A Woman Wrapped in Silence.  I give it to you in pieces because it’s worth savoring bits at a time.  The seven last words.

The Crucifixion

He is alive with pain: His body lifts
and turns and quivers as the lightning streaks
Again, and iron thunder cracks and breaks
And shatters in the dark beneath His blood;
Until the tremors in His flesh are stopped,
And breathing, He discovers He is vised.
His body forms a frame to hold a frame;
He is a Man made once with blunted beams! . . .
Their voices rise to Him from distant pits.
They are like echoes of an ended world
He once had known where men with hands and feet
Could move among contentions and be brave
With gesture.  He could hear them, feel their stride
And strut along the ground, receive their scorn,
Their laughter, know that they were tall and bold
And beckoning to Him that He come down,
Come down and be a Man again in whole,
Unfastened body that will need a robe
And pathway to the pardons of the world.

‘Father, forgive them for they know not what they do.’

The blood swelled sickly in His mouth, and breath
Was ended, and His heart was all he heard.
Somewhere, as a bird might sing to Him,
Above Him, level to His hair, so near
He need not search, nor move, nor seek for space
Of quiet in the sounding of His blood,
He hears a voice that begs last royal gift
Of brief remembering. He cannot see,
And wrenching now athwart the rigid wood,
His head uplifted, pulling at the nails,
He cannot reach last moment of relief
That He may bring to eyes that seek His own.
They are two faces in the sun, so fixed
Against the posts that they must stare outward only,
Separate, and must declare their loves
In quick companionship of lonely words.

‘This day thou shalt be with me in Paradise.’

His Love Did Burn

PALM SUNDAY

Alone I weep, and lost, in hurt and pain.
My dreams seem shattered; mind’s lamp flickers low.
I blame myself, but how am I to blame?
No grand design to build, nowhere to go.
The world turns its uncaring eye away.
I live or die: ’twill not be written much;
And as the sleepless night brings troubled day,
I long for crumbs of comfort, human touch.
Yet soon is Easter, and my thoughts now turn
To One Who, palm-applauded, still rode on:
His face set flint, as all His love did burn:
A cross awaiting, for God’s only Son.
And as my tears descend, as winter rain,
I know Love lives, and I shall love again.

David John, Oxford, England.

Now burn, new born to the world

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Now burn, new born to the world,
Double-naturéd name,
The heaven-flung, heart-fleshed, maiden-furled
Miracle-in-Mary-of-flame,
Mid-numbered He in three of the thunder-throne!
Not a dooms-day dazzle in his coming nor dark
as he came;
Kind, but royally reclaiming his own;
A released shower, let flash to the shire, not
a lightning of fire hard-hurled.

Gerard Manley Hopkins

The longest night

Longest Night © Jan L. Richardson

Blessing for the Longest Night

All throughout these months
as the shadows
have lengthened,
this blessing has been
gathering itself,
making ready,
preparing for
this night.

It has practiced
walking in the dark,
traveling with
its eyes closed,
feeling its way
by memory
by touch
by the pull of the moon
even as it wanes.

So believe me
when I tell you
this blessing will
reach you
even if you
have not light enough
to read it;
it will find you
even though you cannot
see it coming.

You will know
the moment of its
arriving
by your release
of the breath
you have held
so long;
a loosening
of the clenching
in your hands,
of the clutch
around your heart;
a thinning
of the darkness
that had drawn itself
around you.

This blessing
does not mean
to take the night away
but it knows
its hidden roads,
knows the resting spots
along the path,
knows what it means
to travel
in the company
of a friend.

So when
this blessing comes,
take its hand.
Get up.
Set out on the road
you cannot see.

This is the night
when you can trust
that any direction
you go,
you will be walking
toward the dawn.

– Jan Richardson

Jan Richardson is an artist, writer, and ordained minister in the United Methodist Church. She serves as director of The Wellspring Studio, LLC, and travels widely as a retreat leader and conference speaker. Known for her distinctive intertwining of word and image, Jan’s work has attracted an international audience drawn to the welcoming and imaginative spaces that she creates in her books, online blogs, and public events. During Advent, Jan is leading Illuminated: An Online Journey into the Heart of Christmas.

Can one fall in love with a season?

Advent
Can one fall in love with a season?
My affection for Advent runs high
as we light the candles on the wreath,
track the trail of the Baptist,
listen to the growing darkness
for the silent music of grace.
The reason for my love for the season
is its three-fold invitation:
speak tenderly—for we are all in exile;
wait patiently—for Dawn is near;
live simply—a locust or two will do.
–Bishop Robert Morneau

By surprise

Another treat of a poem from Jan Richardson:

For Joy

Image: For Joy © Jan L. Richardson

You can prepare
but still
it will come to you
by surprise

crossing through your doorway
calling your name in greeting
turning like a child
who quickens suddenly
within you

it will astonish you
how wide your heart
will open
in welcome

for the joy
that finds you
so ready
and still so
unprepared.

– Jan Richardson

Prepare

And another beautiful Advent poem by Jan Richardson:

Prepare

Strange how one word
will so hollow you out.
But this word
has been in the wilderness
for months.
Years.

This word is what remained
after everything else
was worn away
by sand and stone.
It is what withstood
the glaring of sun by day,
the weeping loneliness of
the moon at night.

Now it comes to you
racing out of the wild
eyes blazing
and waving its arms,
its voice ragged with desert
but piercing and loud
as it speaks itself
again and again.

You can see her artwork and read the rest here.

The Advent Door

Stumbled upon this beautiful Advent poem:

Blessing the Door

First let us say

“Crossing the Threshold” Copyright Jan Richardson
“Crossing the Threshold”
Copyright Jan Richardson

a blessing
upon all who have
entered here before
us.

You can see the sign
of their passage
by the worn place
on the doorframe
as they walked through,
the smooth sill
of the threshold
where they crossed.

Press your ear
to the door
for a moment before
you enter

and you will hear
their voices murmuring
words you cannot
quite make out
but know
are full of welcome.

On the other side
these ones who wait –
for you,
if you do not
know by now –
understand what
a blessing can do

how it appears like
nothing you expected

how it arrives as
visitor,
outrageous invitation,
child;

how it takes the form
of angel
or dream;

how it comes
in words like
How can this be?
and
lifted up the lowly:

how it sounds like
in the wilderness
prepare the way.

Those who wait
for you know
how the mark of
a true blessing
is that it will take you
where you did not
think to go.

Once through this door
there will be more:
more doors
more blessings
more who watch and
wait for you

but here
at this door of
beginning
the blessings cannot
be said without you

So lay your palm
against the frame
that those before you
touched

place your feet
where others paused in this entryway.

Say the thing that
you most need
and the door will
open wide.

And by this word
the door is blessed
and by this word
the blessing is begun
from which
door by door
all the rest
will come.

– Jan Richardson, from  Through the Advent Door: Entering a Contemplative Christmas.