Be His still-remaining

How a poem about our Lady on this Mother’s Day? This is a poem I have posted before. It’s also about the Ascension, about her experience after Jesus ascended. Seems doubly appropriate for today.

Our Lady of the Assumption

Fold your love like hands around the moment.
Keep it for conference with your heart, that exit
Caught on clocks, by dutiful scribes recorded
Less truly than in archives of yor soul.

Turn back from His going, be His still-remaining.
Lift the familiar latch on cottage door . . .
Discover His voice in corners, hear His footfalls
Run down the porches of your thoughts.  No powers

However hoarse with joy, no Dominations
Curved with adoration guess what whispers
Of “Mother, look!” and “Mother, hurry!”
Glance off the cottage walls in shafts of glory.

How shall your heart keep swinging longer, Mary?
Quickly, quickly, take the sturdy needle
Before your soul crowds through your flesh!  the needle
And stout black thread will save you.  Take the sandal

Peter left for mending.  After that,
The time is short, with bread to bake for John.

Mother Mary Francis

May the blessings

For any and all being ordained to the priesthood this spring. A Sunday-poem by John O’Donohue, a priest himself.

May the blessings released through your hands
Cause windows to open in darkened minds.

May the sufferings your calling brings
Be but winter before the spring.

May the companionship of your doubt
Restore what your beliefs leave out.

May the secret hungers of your heart
Harvest from emptiness its sacred fruit.

May your solitude be a voyage
Into the wilderness and wonder of God.

May your words have the prophetic edge
To enable the heart to hear itself.

May the silence where your calling dwells
Foster your freedom in all you do and feel.

May you find words full of divine warmth
To clothe the dying in the language of dawn.

May the slow light of the Eucharist
Be a sure shelter around your future.

And I would add: May you always find your home deep, deep in the Heart of Christ and never venture from there. 

pic08_JPG

In an empty church

A beautiful short Sunday-poem. Using just a few words, Joseph Massey creates an exquisite image of prayer in an empty church. Do sit with it for a moment.

       In an empty church
in the middle of the day
dark but for stained glass
       flooded with sun, a prayer
held in the breath in my hands. 

 

You can find his latest bestselling book of poems here

I wish for a hidden hut

An anonymous lovely, lilting poem from Sally Read’s 100 Great Catholic Poems that describes the longing of many of our hearts.

The Song of Manchán the Hermit

I wish, O Son of the Living God, O Ancient Eternal King,
For a hidden hut in the wilderness, a simple secluded thing.

The all-blithe lithe little lark in his place, chanting his lightsome lay;
The calm, clear pool of the Spirit’s grace, washing m sins away.

A wide, wild woodland on every side, its shades the nursery
Of glad-voiced songsters, who at day-dawn chant their sweet psalm for me.

A southern aspect to catch the sun, a brook across the floor,
A choice land, rich with gracious gifts, down-stretching from my door.

Few men and wise, these would I prize, men of content and power,
To raise Thy praise throughout the days at each canonical hour.

Four times three, three times four, fitted for every need,
To the King of the Sun praying each one, this were a grace, indeed.

Twelve in the church to chant the hours, kneeling there twain and twain;
And I before, near the chancel door, listening their low refrain.

A pleasant church with an Altar-cloth, where Christ sits at the board,
And a shining candle shedding its ray on the white words of the Lord.

Brief meals between, when prayer is done, our modest needs supply;
No greed in our share of the simple fare, no boasting or ribaldry.

This is the husbandry I choose, laborious, simple, free,
The fragrant leek about my door, the hen and the humble bee.

Rough raiment of tweed, enough for my need, this will my King allow;
And I to be sitting praying to God under every leafy bough. 

The woman robed in red

I’m not sure where I found this Sunday-poem or who the poet is. There are some very beautiful thoughts expressed here which I pray touches your heart and its desires.

Woman of fire,
woman of desire,
woman of great passions,
Woman of the lavish gesture.
Mary of Magdala!

The icons show you robed in red,
covered in the blood of the Lamb,
a living flame, a soul set afire.
You are there at the foot of the cross:
kneeling, bending low, crushed by sorrow,
your face in the dust.

You love,
but in that hour of darkness,
dare not look on the disfigured Face of Love.
It is enough that you are there,
brought low with Him,
Enough for you
the Blood dripping from the wounded feet
Blood seeping into the earth
to mingle with your tears.

You seek Him on your bed at night,
Him whom your heart loves.
David’s song is on your lips:
“Of Thee my heart has spoken. Seek his face.
It is Thy Face, O Lord, that I seek;
hide not Thy face from me” (Ps 26:8-9).

His silence speaks.
His absence is a presence.
And so you rise to go about the city,
drawn out, drawn on by Love’s lingering fragrance.
“Draw me, we will run after Thee, in the odor of your ointments” (Song of Songs 1.3).

You seek Him by night
in the streets and broadways;
you seek Him whom your soul loves,
with nought by your heart’s desire for compass.
You seek Him but do not find Him.

In this, Mary, you are friend to every seeker.
In this, you are a sister to every lover.
In this you are close to us who walk in darkness
and wait in the shadows,
and ask of every watchman,
“Have you seen Him whom my soul loves?”

Guide us, Mary, to the garden of new beginnings.
Let us follow you in the night.
Wake our souls before the rising of the sun.
Weep that we may weep
and in weeping become penetrable to joy.

The Gardener waits,
the earth beneath His feet watered by your tears.
Turn, Mary, that with you we may turn
and, being converted,
behold His Face
and hear His voice
and, like you, be sent to say only this:
“I have seen the Lord” (John 20:18). 

Red Cast rehearsal of LDS Church’s “Savior of the World” – Conference Center – Salt Lake City, Utah

The Hardest Blessing

Jan’s book, Circle of Grace, must be one of my favorite books of poetry. This Sunday poem is from another of her books, The Cure for Sorrow: A Book of Blessings for the Seasons.

THE HARDEST BLESSING
 
If we cannot
lay aside the wound,
then let us say
it will not always
bind us.
 
Let us say
the damage
will not eternally
determine our path.
 
Let us say
the line of our life
will not always travel
along the places
we are torn.
 
Let us say
that forgiveness
can take some practice,
can take some patience,
can take a long
and struggling time.
 
Let us say
that to offer
the hardest blessing,
we will need
the deepest grace;
that to forgive
the sharpest pain,
we will need
the fiercest love;
that to release
the ancient ache,
we will need
new strength
for every day.
 
Let us say
the wound
will not be
our final home—
 
that through it
runs a road,
a way we would not
have chosen
but on which
we will finally see
forgiveness,
so long practiced,
coming toward us,
shining with the joy
so well deserved.
 
—Jan Richardson
from The Cure for Sorrow: A Book of Blessings for the Seasons

Obliged to Sing

I was introduced to Scott Cairns through reading his book, Short Trip to the Edge, a Pilgrimage to Prayer. I put that book in the category of books that not only are about beautiful things but are also beautiful to read.  One I have reread and certainly will again.  Here is a poem of his on poetry and how it serves us.

They Open Us

Scott Cairns

—After Pappas [ΝΙΚΟΣ ΠΑΠΠΑΣ]

Because of this poetry, which, like the Gospel
opens us to waves of unexpected dangers
and elations, which bids the condemned to loosen
his tie as he ambles to the wall to be shot,
and woos meandering millions yet to notice
the brother or sister teetering on the cliff,
compelling that we reach out a hand, deliver
those wretched, belovéd ones to safety, at least,
to momentary safety and, in that moment,
a passing sense that they are not alone; because
of poetry’s vertiginous capacity
to center one’s attention on what might make us
whole, and what might break us, spanning the desolate
hours as well as the blessed, and laving with honey
both corpses and the morning toast, even as it
raps upon the door, unrelenting in its claims;
because of this poetry, rising from the souls,
the ancients of every land, the generations
thereafter, all the radiant host, both famous
and obscure, offering their breath to the flowing
chorus circling the spheres, giving voice to every
exultation, every desolation, ever,
we raise our heads, and do not shirk, obliged to sing.

The Icon

Sharing another poem this Sunday by Anne Porter. I think this was one of the first I ever read by her and made me fall in love with her poetry.

Cretan School; Madonna and Child (Icon of Panagia Glykofilousa): Virgin of Tenderness; Government Art Collection; http://www.artuk.org/artworks/madonna-and-child-icon-of-panagia-glykofilousa-virgin-of-tenderness-28000

The Icon

Here in this icon out of ancient Russia
Brown as amber the little Mother of God
Holding her infant to her cheek
Is present to us
In all her wise
And peaceful sorrow

A forest hermit painted this
They say at night his face
Lit up the snow

He befriended robbers
And often gave
The bears his bread. 

Anne Porter

Saint Silouan

When you feel that you are sinking

Another poem from Malcolm Guite, speaking especially to those who feel like they are sinking.

The Christian Plummet

Down into the icy depths you plunge,
The cold dark undertow of your depression,
Even your memories of light made strange,
As you fall further from all comprehension.
You feel as though they’ve thrown you overboard,
Your fellow Christians on the sunlit deck,
A stone-cold Jonah on whom scorn is poured,
A sacrifice to save them from the wreck.

But someone has their hands on your long line,
You sound for them the depths they sail above,
One who takes Jonah as his only sign
Sinks lower still to hold you in his love,
And though, you cannot see, or speak, or breathe,
The everlasting arms are underneath.

Malcolm Guite