“God loves us as he loves himself. The Father does not love us any less than he loves his only-begotten Son. In other words, with an infinite love. God does not love less, because he loves first, from the very beginning!” (Pope Leo, Jubilee of Families, Children, Grandparents and Elderly)
“Holiness consists in enduring God’s glance. It may appear mere passivity to withstand the look of an eye; but everyone knows how much exertion is required when this occurs in an essential encounter. Our glances mostly brush by each other indirectly, or they turn quickly away, or they give themselves not personally but only socially. So too do we constantly flee from God into a distance that is theoretical, rhetorical, sentimental, aesthetic, or, most frequently, pious. Or we flee from him to external works. And yet, the best thing would be to surrender one’s naked heart to the fire of this all-penetrating glance. The heart would then itself have to catch fire, if it were not always artificially dispersing the rays that come to it as through a magnifying glance. Such enduring would be the opposite of a stoic’s hardening his face: it would be yielding, declaring oneself beaten, capitulating, entrusting oneself, casting oneself into him. It would be childlike loving, since for children the glance of the father is not painful: with wide-open eyes they look into his. Little Thérèse–great little Thérèse–could do it. Augustine’s formula on the essence of eternity: videntem videre–‘to look at him who is looking at you.'” (von Balthasar)
“If you are cold, do you think it sensible to move away from the fire? Precisely because you feel your heart frozen you should go more frequently to Holy Communion, provided you feel a sincere desire to love Jesus Christ.” (St. Alphonsus Liguori)
“Contemplation is always the meeting of two looks: our look at God’s and God’s look at us. If, at times our gaze weakens, God’s never does. Sometimes Eucharistic contemplation just means keeping Jesus company, being there under his gaze, giving him the joy of contemplating us, too.” (Cardinal Cantalamessa)
Sharing this lovely poem by J.B. Toner. May you be blessed.
Song for Caitlin
God’s earth is full of beauty, that I know; It scintillates and dances in my eyes, Her laughter rolls and rings and multiplies And makes the turning vistas chime and glow– But little peace it grants me, even so: I cannot cling to bright salvation’s prize; The Heaven-light that lights my way soon dies, For want of faith (perhaps) through which to flow. And yet my world holds hope and purity, Our Lady’s Son redeemed the depths of Hell– And traces of her grace I still can see, Like sun-sparked droplets from a silver well: This medal round my neck which is, to me, Three strands of hair from my Galadriel.
A blessed Easter to all of you, my friends. May you be prodigal in your rejoicing over these next 50 days!
Easter
Break the box and shed the nard; Stop not now to count the cost; Hither bring pearl, opal, sard; Reck not what the poor have lost; Upon Christ throw all away: Know ye, this is Easter Day.
Build His church and deck His shrine, Empty though it be on earth; Ye have kept your choicest wine— Let it flow for heavenly mirth; Pluck the harp and breathe the horn: Know ye not ’tis Easter morn?
Gather gladness from the skies; Take a lesson from the ground; Flowers do ope their heavenward eyes And a Spring-time joy have found; Earth throws Winter’s robes away, Decks herself for Easter Day.
Beauty now for ashes wear, Perfumes for the garb of woe, Chaplets for dishevelled hair, Dances for sad footsteps slow; Open wide your hearts that they Let in joy this Easter Day.
Seek God’s house in happy throng; Crowded let His table be; Mingle praises, prayer, and song, Singing to the Trinity. Henceforth let your souls alway Make each morn an Easter Day.
In collaboration on a first-of-its-kind project for Holy Week, Wintershall Theatre Company and @christianart have joined forces on The Stations of the Cross: Pray with us, a short film depicting the fourteen scenes from Christ’s Passion. Filmed at Wintershall Estate against a striking 20-foot cinematic backdrop, each scene from the Stations of the Cross was carefully arranged, lit, and filmed to create the effect of a tableau vivant—a living painting.
“The tradition of tableaux vivants, or “living pictures,” dates back to the Middle Ages and gained popularity in the 18th and 19th centuries as a theatrical artform. In these staged scenes, actors would pose silently and motionlessly to recreate famous artworks or dramatic moments, often with elaborate costumes, lighting, and minimal movement. The tableau vivant artform has found new life in video, where the boundary between stillness and motion can be artfully explored, inviting the viewer to contemplation and often emotive experience.
“Written by Presented by Fr. Patrick van der Vorst”
A beautiful commentary from Leiva-Merikakis on the Bridegroom’s love for us in his Passion: “The arrival of this Passover has on Jesus the same effect as would the arrival of his wedding date on a bridegroom who is madly in love. The leaders say, ‘Not during the feast!’ But Jesus insists: ‘Yes! During the feast! For this Passover is my wedding feast with my Bride, mankind, a union to be consummated in my blood.'”
This passage has always held great significance for me, especially because of Christ’s invitation to me to live a consecrated life for him. But we, each in his or her own way, are invited by him to pour out what is most precious to us upon his feet, to enter into that intimacy with him, and this week is a most important time for us to do just that.
The Anointing at Bethany
Come close with Mary, Martha , Lazarus So close the candles stir with their soft breath And kindle heart and soul to flame within us Lit by these mysteries of life and death. For beauty now begins the final movement In quietness and intimate encounter The alabaster jar of precious ointment Is broken open for the world’s true lover,
The whole room richly fills to feast the senses With all the yearning such a fragrance brings, The heart is mourning but the spirit dances, Here at the very centre of all things, Here at the meeting place of love and loss We all foresee, and see beyond the cross.